Publisher: Routledge
Series: Routledge Studies in Chinese Translation
Deadline for abstracts: 15 January 2024
Editors:
• Wenqian Zhang, University of Exeter, UK
• Sui He, Swansea University, UK
Chinese Internet literature (CIL), also known as Chinese online/web/network literature, refers to“Chinese-language writing, either in established literary genres or in innovative literary forms, writtenespecially for publication in an interactive online context and meant to be read on-screen” (Hockx 2015,4). While CIL is commonly equated with Chinese web-based genre fiction known for entertainmentvalue, it encompasses a broader range of genres such as poetry and comic strips, covering realisticthemes prevailing in serious literature (Inwood 2016; Feng 2021). CIL is born-digital, but it differsessentially from ‘electronic literature’ or ‘digital literature’ that originated in the West. While Westerne-literature is “more technology-oriented” (Duan 2018, 670) and usually involves “some sort ofcomputer programming or code” (Hockx 2015, 5–6), CIL is relatively less technologised andexperimental in format. In fact, what makes CIL stand out is its interactive features facilitated byprofessional literary platforms, its underlying profit motive, and mass participation in terms of literarywriting, reading and criticism (Hockx 2015).Over the past three decades, the proliferation of CIL has been fuelled by advancements in internettechnology and formulation of larger social media communities, alongside other key factors such aseconomic growth and the constantly changing ideological and political discourses in and outsidemainland China. One notable landmark in the trajectory of CIL is the implementation of a pay-per-readbusiness model by the literary website Qidian (起点 Starting Points) in 2003 – in this model, Qidiancharges readers for accessing serialised popular novels and their ‘VIP chapters’ (Hockx 2015, 110). Thisstep marks the beginning of the commodification of CIL. It reshapes the literary writing practices andauthor-reader/producer-consumer dynamics in Chinese cyberspace (Schleep 2015, Tian and Adorjan2016). Further developments along this line have enabled CIL to grow into a streamlined industry andmature ecosystem, with a vast number of popular titles being adapted into films, TV/web series, videogames and other types of media products, generating enormous economic value and revenue.
The influence of CIL has travelled across geographical and linguistic borders. Platforms such asWuxiaworld, Webnovel, Chapters and TapRead have made significant contributions to the disseminationof CIL to the global audience. In addition to translations published on authorised literary platforms, fantranslations spread within fan communities form a grey zone for less-regulated consumption of CILaround the world. To lower the cost and shorten the turnaround time of translating CIL, literaryplatforms have shifted their attention to AI-powered translation. For example, Webnovel has integratedLingoCloud (an AI-powered translation extension) into its website. Other practitioners in the industry,such as Funstory.ai Ltd. (推文科技 tuiwen keji), provide the service of “AI-assisted multilingualtranslation and processing, front cover design, booklist creating, book review collecting, chapter-by-chapter performance analysis and localisation” in order to promote online literature overseas(funstory.ai).To date, there has been an extensive body of research on CIL in literary, gender, platform and culturalstudies in a monolingual stance (e.g., Feng 2013; Shao 2016; Ouyang 2018), but only a handful ofscholarly articles delve specifically into its interlingual, intersemiotic and intercultural disseminationon the global stage (e.g., Cao 2021; Chang and Gao 2022; Chen 2023; Li 2021). To bridge this gap, thisvolume will be the first book in English that offers a critical examination of the translation, adaptationand circulation of CIL. As a timely addition to the scholarship on this topic, we aim to provide acontextual background and a framework for navigating the emerging subfield in the literary landscape,approaching its translation and dissemination across national, cultural, medial and linguistic borders.We welcome contributions that explore topics including but not limited to:
o Interdisciplinary attempts for addressing the methodological and theoretical considerations oftranslating CIL (e.g., gender studies, fan studies, literary studies, media studies, cultural studies,marketing studies, digital humanities, human-machine interaction, etc.);
o Theoretical underpinnings in terms of translation studies (e.g., audiovisual translation,multimodality, user-centred translation, collaborative translation, localisation, literarytranslation, etc.);
o Exploring and (re-)defining the terminologies and characteristics associated with the(sub)genres of CIL in light of its interlingual, intersemotic and/or intercultural transmission;and what does CIL mean for how we understand literature and translation;
o Agents involved in the translation, adaptation and dissemination of CIL (e.g., translators,literary websites/platforms, readers, streaming services, governmental bodies, etc.) – either aspractical reflections or research observations;o Social, political and technical infrastructures related to the translation and dissemination of CIL(e.g., state censorship and policies, publishing patterns and models, marketing and promotionalactivities, AI-assisted/machine translation of CIL, etc.);
o The construction of transmedia universe and IPs (e.g., the adaptation of popular literary titlesinto web series, video games, films, manga, animation, etc.);
o Assessment, review and reception of CIL and their translations
To propose a chapter, please submit an abstract (500 words maximum, excluding references) and ashort bio (100 words maximum) to both w.zhang3@exeter.ac.uk and sui.he@swansea.ac.uk by 15January 2024. Please send your email with a subject line in the format of “TransCIL + Author name”.Ideally, abstracts should provide details about the research questions, methodologies, and, if possible,the results
(6) (PDF) Call for Papers | Edited Volume: Translating Chinese Internet Literature: Global Adaptation and Circulation (Routledge, 2025). Available from: https://www.researchgate.net/publication/375598118_Call_for_Papers_Edited_Volume_Translating_Chinese_Internet_Literature_Global_Adaptation_and_Circulation_Routledge_2025 [accessed Dec 12 2023].
Call for AbstractConference: the 19th International Postgraduate Conference in Translation and Interpreting (IPCITI)Venue: Dublin City UniversityDate: 3-4 December 2026Theme: Across Academia and Industry: (In)Visibility and Interdisciplinarity in Translation and InterpretingTopics include:Interdisciplinary engagement with translation and interpreting studies (e.g. Comparative Literature, Linguistics, Cultural Studies, Sociology and Anthropology)Interdisciplinarity and knowledge exchange in translation and interpreting studies (e.g. Communication Studies, Information Science, Higher Education Studies)Visibility and invisibility of translation and interpreting research (e.g. Sociology of Knowledge, Media Studies)Translation and interpreting across academia, institutions and industry (e.g. International Relations, Public Policy)Translation and interpreting technologies and digital practices (Computer Science, Human-Computer Interaction (HCI), Natural Language Processing (NLP))Translator and interpreter training and pedagogy (e.g. Curriculum Design, Cognitive Psychology, Applied Linguistics)Community and public service interpreting (e.g. Medical Humanities, Social Work)Specialised translation (e.g. terminology, literary translation, audiovisual translation, localisation)Professional identities, ethics, and labour conditions (e.g. Professional Ethics, Labour Economics, Human Resource Management)Translation, migration, multilingualism, human rights, and social justice (e.g. Human Rights Law, Migration Studies, Political Philosophy)Critical approaches to translation studies (e.g. Decolonisation of Translation and Interpreting Studies, Postcolonial Theory, Gender Studies, Critical Discourse Analysis, Deconstruction)Innovative, creative and interdisciplinary research methodologies in translation and interpreting studies (e.g. Digital Humanities, Corpus Linguistics, Ethnography, Mixed Methods Research)Translation and interpreting in crisis and conflict settings (e.g. Peace and Conflict Studies, Disaster Management, Risk and Crisis Communication)Deadline for abstract submission: 31 August 2026More details: https://www.dcu.ie/ctts/ipciti-2026
Call for Papers:Journal: Special Issue of Translation and Interpreting Studies (John Benjamins).The journal is inviting submissions for extended abstracts for a special issue of Translation and Interpreting Studies (John Benjamins) on the topic of 'Knowledge Construction in Multilingual Research: Research Ethics Meets Translation Theory' Editors: Robert Gibb, Nadja Grbić, and Rafael Schögler.Submissions of extended abstracts (300-500 words) can be sent to the guest editors until 15 September 2026.More details: https://static.uni-graz.at/fileadmin/gewi-institute/Translationswissenschaft/Bilder/2026/Special-issue_TiS_2029_gibb_grbic_schoegler.pdf
Call for Papers: Journal: BRIDGE: TRENDS AND TRADITIONS IN TRANSLATION AND INTERPRETING STUDIESThemes: Audiovisual Translation at the Crossroads: Special Issue: Bridging Media Accessibility, AI, and EFL Education. Special Issue, Vol. 7(2), 2026.Editor: Angela SileoCovered Topics:AVT and Artificial Intelligence (AI), the technological dimension;AVT and Media Accessibility (MA), the social dimension; andAVT in EFL (English as a Foreign Language) education, the didactic dimension.Deadline for submission: 23 November 2026More details: https://www.bridge.ff.ukf.sk/index.php/bridge/callforpapers
International Association for Translation and Intercultural Studies9th International ConferenceUniversity of Canterbury | Te Whare Wānanga o WaitahaChristchurch, New Zealand7-10 December Interculturality and Hospitality in Times of Crisis Conference Theme Language, hospitality, and crisis are, and always have been, historically and globally intertwined concepts. The notion of hospitality is deeply rooted in complex and long-standing histories of encounters; of conflict and persecution; but also of travel and adventure. The specular relationship between alterity and subjectivity is at its core, and so too is the very fabric of sociability. The closest Te Reo Māori equivalent to hospitality, manaakitanga, echoes this dynamic, as it implies the collective nurturing of relationships in which the mana (dignity, prestige, and spiritual power) of all those involved is upheld and elevated. From these histories and terms, we are confronted with the (unwritten) rules, obligations, and laws related to hospitality which encapsulate examples on a micro- and macrostructural level: from welcoming guests into a nation—as immigrants or refugees—to providing shelter and support in the community in times of crisis, right down to individual acts of kindness and aid, such as welcoming a friend, family-member or stranger into one’s home. However, not all guests and hosts are created equal, and hospitality is not always synonymous with kindness and welcoming. The (de)colonial perspectives evident from Latin America to Oceania and beyond, where indigenous peoples were constructed as ‘unwelcome guests’ in their own land, offer fruitful examples of how historically, as well as in contemporary contexts, hospitality has often functioned as a lens through which asymmetrical power relations can be understood. Several linguists and philosophers have scrutinized the ambivalence inherent to hospitality, elucidating its semantic and pragmatic conceptions, as well as its etymological misunderstandings and polysemy. Paola Zaccaria summarizes this dynamic as follows: “In Latin, the guest, being a stranger, was called both hospes (whence the etymological root of hospitality) and hostis, which means “enemy.” [Émile] Benveniste argued that the notion of favorable stranger evolved into guest, while a hostile stranger was considered an enemy" (Zaccaria, 2022, p. 182). Such etymological linkage led Jacques Derrida to coin the neologism “hostipitality” (Derrida & Dufourmantelle, 2000), suggesting that welcoming the Other can lead to a host’s vulnerability, and that embedded within hospitality are the very seeds of its own potential destruction. Welcoming the guest—the Other, a frenemy, AI—can lead to the host’s sovereignty unravelling, where sovereignty can be understood in its broadest conceptual sense possible: one’s space (or home) as well as one’s identity and integrity. This intersubjective blending is even more apparent when we take into consideration that Derrida writes in French where the term hôte can denote, depending on the context, either guest or host. Interpretations and translations of hospitality continue today: whether it be as a pragmatic form or an abstract, philosophical construct, the concept will (and arguably should) never be laid to rest. While the very notion of hospitality, the givenness of its communal veracity is obviously enabling, we do not need to look too far in our current climate to witness how conceptually, at least, it has been called into crisis. ‘Crisis,’ at its very root, indicates a turning point and a decision. Not all crises are therefore inherently bad or negative, and yet the term is rarely shrouded in positivity. In a post-truth era; as we explore the use and limits of AI; as we further communicate through the semiotics of emojis; as teeter-tottering governments modify language policies, and as institutional settings regulate and enact the boundaries in which we work and live, we must ask: is language—and are languages—in crisis? And can the same be said of hospitality? Translation, Interpreting, and interculturality are at the very heart of both hospitality and crisis, as the latter inevitably creates contexts of language contact due to globalization, as well as chosen and forced migration. With this conference topic, there are two potential thematic avenues for presenters to explore in relation to Translation, Interpreting, as well as Intercultural Studies: one more aligned with the multifaceted notion and voices of ‘hospitality’ and the other with ‘crisis.’ This conference therefore calls on scholars, educators, and practitioners to reflect and present on these disciplines and their interaction with these themes as they play out in their professional, creative, and scholarly reflections and important work. Possible subthemes to explore include: · T&I and the guest-host dynamic· Violence in/and T&I· Language(s) in crisis· Hospitality and crisis· Regional and minority languages· Data Sovereignty and indigenous languages· AI and/in crisis – trust, machine translation, and language access in crisis situations· T&I in hospitality & tourism· T&I in regional conflicts· T&I in natural disasters· Hospitality and ethics in relation to volunteer translation, AI-assisted translation, and the sustainability of the profession· The translation/non-translation of literature as examples of hostipitality· Rethinking T&I and sovereignty through Indigenous Knowledges· The ethics and politics of translation and intercultural studies research, education, and practice: a turning point?· (Feminist) ethics of care· Disability Studies and the Politics of language(s) in translation and interpretation – who gets to speak?· Lost languages – linguistic preservation, hospitality, and ethics· Resisting the status quo – rethinking dissemination of translations as a question of the commonsLanguage Policy· All abstracts/proposals for individual papers (20 minutes each) and panels must be submitted in English or Te Reo Māori for peer-review by the Advisory Board, and all papers will be presented in English or Te Reo Māori. Interpreting will be provided contingent on available funds.· Workshop proposals must be submitted in English or Te Reo Māori for peer-review by the Scientific Committee; however, presentations during workshops in languages other than English or Te Reo Māori are welcome. A minimum of two presenters is required for workshops. Interpreting will be provided contingent on available funds.Key Deadlines· 5 November 2026: Deadline for potential convenors to submit panel, workshop, roundtable or artistic initiatives· 20 December 2026: Announcement of the accepted proposals (panels, workshops, roundtables and artistic initiatives) & call for papers and performances.· 20 March 2027: Individual abstract submission to accepted panels and general sessions· 5 June 2027: Notification of acceptance of proposals (all formats).· 5 June 2027: Registration opens · 1 August 2027: Closing date for early registrationRegistration· 5 June 2027: Registration opens· 1 August 2027: Early-bird registration closesLink to registration: to be provided soon. Solidarity Fund and Bursaries for Band 3 & 4 CountriesMore information to be provided soon. CALL FOR PANELSPanelsPanels will serve as the cornerstone for structuring the conference programme. Panels are thematic, integrated discussions for 6 to 12 sessions on a clearly identified theme or topic within the larger theme of the conference (“Interculturality and Hospitality in Times of Crisis”). They should provide attendees with an opportunity to hear presenters engage in dialogue amongst themselves as well as with attendees about cutting-edge research, practice, theory building, and/or policy development.Important: at this stage, you do not need to have a list of speakers or abstracts. Your panel proposal will be assessed by the Scientific Committee. If accepted, your panel will then be posted on the IATIS website and turned into a thematic call for papers open for anyone to submit. Panel convenors will be in charge of reviewing all abstracts submitted to their panel. The members of the scientific committee will review panel convenors’ selection before a notification of acceptance of abstracts can be issued. Timeline for Panels· Submission of panel proposals: 5 November 2026· Announcement of accepted panel proposals: 20 December 2026· Submission to accepted panels: 20 March 2027· Acceptance notification: 1 June 2027 Link to the submission platform: to be provided soon. The following information will be required:· Details about the convenor(s): name, surname, affiliation, bionote (approx..100 words) and contact address· Details about the proposal: abstract (approx. 500 words)· Optional: Tentative list of speakers and subtopics covered, if any. Please note that even if you have a list of possible speakers, all accepted panels remain open to submissions by interested IATIS delegates See examples of IATIS panels in previous conferences:· Oman Panels 2025· Barcelona Panels 2021· Hong Kong Panels 2018 CALL FOR WORKSHOPS Pre-conference workshops run for a day or half a day on Dec 6 (or Dec 7, subject to enrolment numbers). These workshops are designed to be training sessions on a topic of interest to conference attendees, such as teaching and professional development, with a special emphasis on learning or developing new skills.Timeline for Workshops· Submission of workshop proposals: 5 November 2026· Announcement of acceptance: 20 December 2026· Workshop Registration: 5 June 2027 CALL FOR ARTISTIC INITIATIVES These initiatives will reflect the cultures of the world. Artistic initiatives come from conference delegates and can be about or across cultures. They should address the topic of the conference (“Interculturality and Hospitality in Times of Crisis”). Timeline for Artistic Initiatives · Submission of artistic initiative proposals: 5 November 2026· Announcement of acceptance: 20 December 2026 CALL FOR PAPERS These are individual presentations that form the backbone of the conference's parallel sessions. Researchers can send abstracts to be presented as papers in thematic panels (accepted panels, see above) or independent of any panel in the conference. Papers are given the same amount of time given to panel session papers, and they may be added by the conference scientific committee to an established conference panel, if relevant, and in consultation with the convenor. Timeline for Papers· Call for individual papers: 20 December 2026· Deadline for potential presenters to submit abstracts for papers in and beyond thematic panels: 20 March 2027· Announcement of accepted papers: 1 June 2026 Link to the submission platform: to be provided soon. The following information will be required:· Details about the presenter(s): name, surname, affiliation, bionote (100 words approx.) and contact address· Abstract (250 words approx.) See examples of IATIS papers in previous conferences· Oman Papers 2025· Barcelona Papers 2021· Hong Kong Papers 2018
Call for Papers:Conference: Breaking Barriers in Creative Translation (BBCT).Venue: Mons, Belgium.Date: 18-20 Nov 2026.Themes and topics: Exploring fictional worldsApplication of new technologies to creative textsTransmedia analysesStylistic analysesAssessment of creativity in translation contextsRendering of humourRetranslationEthics and professional deontologyTranslation under constraintsCreativity and didacticsCognitive issues in creative translationKey dates: Submission: 07/09/2026Notification: 09/10/2026Registration: 01/11/2026Conference: 18-20/11/2026More details: https://bbct.sciencesconf.org/?lang=en
