Literary self-translation is defined as the phenomenon of authors translating their own writing and producing more than one linguistic version of a given literary work. While research on the topic has surged since the turn of the 21st century (for reference, see the Bibliography on Self-Translation), scholarship is overwhelmingly dominated by a restricted set of focal points: bilingual practices, literary figures of international renown (typically in the West), 20th-century contexts, a selection of major Western European languages, and minority-language settings in Spain.
This special issue of the Journal of Literary Multilingualism explores 21st-century self-translation related to languages, regions, writers, and literary genres that have thus far received little to no critical attention within self-translation research.
We welcome case studies, ethnographic research, larger-scale studies, genetic criticism, theoretical reflections, and any other approach that engages with and adds meaningful new perspectives to existing self-translation research. Possible research questions include:
• How do understandings of self-translation shift when we account for projects that are not limited to transfers between English, French, and/or Spanish, such as those incorporating lesser-translated languages like Bulgarian (e.g. Miroslav Penkov), Slovenian (e.g. Brina Svit), Swedish (e.g. Linda Olsson) or Yiddish (e.g. Chava Rosenfarb)? • What idiosyncrasies characterize the self-translation process when writers work with three or more languages, as in the case of Lisa Carducci (English-French-Italian-Spanish), Laià Fabregas (Catalan-Dutch-Spanish) or Monika Zgustovà (Catalan-Czech-Spanish)? • How can self-translation be mapped out in geopolitical regions or sociocultural spaces whose self-translation practices remain un(der)studied, such as Guatemala, India, Japan, and New Zealand? • How is the decision to self-translate shaped by linguistic and cultural minority settings, such as in Ireland (e.g. Doireann Ní Ghríofa), within the Francophonie like the Occitanie (e.g. Aurélia Lassaque) or Saint Boniface (e.g. J.R. Léveillé), or in indigenous communities in regions like Guatemala (e.g. Humberto Ak’abal), Canada (e.g. Joséphine Bacon), or Paraguay (e.g. Susi Delgado)? • How does the question of audience affect approaches to self-translating children’s literature, such as in works by Tomson Highway or Lene Kaaberbøl? • What can graphic novels, like those by Geneviève Castrée, Apostolos Doxiadis, or Nora Krug, tell us about intersemiotic self-translation and collaborative forms of self-translation? • How might the notion of the authorial self be complicated by the creative process involved in the self-translation of plays, as in those by Rudi Bekaert, Nilo Cruz, or Gilles Poulin-Denis?
Deadline for abstract submission: 30 October 2022
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CfP: Edited volume “Translation, Religion and Technology” (Routledge Research in Translation and Religion series)Editor: Prof. Anne O’ConnorAbout: While it is acknowledged that in a digitally linked world, religious experience can travel at speed and globally, the challenges of the linguistic dimensions of this communication, and the role played by translation have not been adequately considered. As religious content, rituals, and interactions become increasingly present online, attention to translation becomes crucial in the global digital space. The modes of communication of digital religion oƯer exciting new opportunities for translation scholars which have heretofore been untapped (Blumczynski and Israel 2018). Interaction with technology can encompass religious communities engaging with digital tools—whether through online sermons, virtual worship services, or religious apps—with translation becoming a key factor in ensuring that these practices remain meaningful and accessible across linguistic and cultural boundaries. Much study on digital religion has considered the new opportunities opened up for religion by the internet and user interaction with web-based technologies and social media. For religion online (Helland 2000), organisations and institutions use digital spaces and technological tools to enable a presence that reaches beyond a local or national borders and thereby encounter many translational issues. However, religions also make use of translation technologies in contexts other than digital spaces and it is important to acknowledge the presence of translation technology in physical religious spaces. Where a religious group has a multilingual community, technologies can enable religious practice and communication, especially in the absence of a common language. Moreover, interpreting in religious contexts (Furmanek 2022, Downie 2024), is primed for innovative uses of technologies to enable communication and understanding. Audiovisual translation, ad hoc interpreting devices, and volunteer-led technical innovations can all be present in religious spaces as communities seek to overcome linguistic barriers to enable religious practices.Themes: Chapters will focus on the intersection of translation, religion and technology in the diverse religious spaces mentioned above with topics including a selection of the following: The use of translation technologies in religious contexts AI-assisted translation and its use in religious communication Translation and online religion/religion online Institutional religious translation practices and technological change Volunteer religious translation activities incorporating technology Religious translation in informal, low-resource settings Translation, religion and social media Interpreting in religious settings and translation toolsThe intersection of religious practice, belief, and community with digital technologies Balancing between innovation and tradition, between technological advancement and historical sacred practices and texts Alternative discourses and their presence in digital religious spaces Enabling religious practice through translation technologies Adapting religious content for new digital environments The digital realm as both a space for innovation and a challenge for maintaining religious (and linguistic) authenticity and continuity AI, ethics and religious translation Issues of gender in religion, translation and technology Canonical religious texts and technical/digital change Untranslatability and religion in digital contexts Technology and sustainable futures for religious translationDeadlines and submission:The volume will be published by Routledge. Deadline for abstracts: 27 February 2026 Notification of acceptance: March 2026 Deadline for chapters: September 2026 Review process: September - December 2026 Publication: 2027 Abstracts of 300 words and author bio to be sent to anne.oconnor@universityofgalway.ie
Translation and interpreting are increasingly shaped by complex, real-world technological, institutional, and socio-cultural contexts. Yet, research that emerges from direct engagement with these contexts often remains underrepresented in scholarly publishing. Collaborative research, understood as research conducted by or with practitioners, offers a vital corrective: it brings to light the lived realities, adaptive strategies, and situated expertise of professionals working within and alongside evolving systems. Academia-industry collaboration is the cornerstone of future-facing and impactful translation and interpreting education and research. This special issue aims to showcase how collaborative research and educational partnerships with the professional world advance theory, push disciplinary boundaries, and deepen our understanding of translation and interpreting as practices shaped by social, cultural, and pedagogical contexts.Synergising professional experience and field research has gained significant attention in recent years, particularly in certain areas such as audiovisual translation (Tuominen & Silvester, 2025) and language automation technology (Rodríguez de Céspedes & Bawa Mason, 2022). Although perhaps rare in other fields within the arts and humanities, academics who also professionally involved in the industry are relatively common in translation and interpreting. This has logically led to certain research outputs focusing on aspects such as working conditions and translation rates (Carreira, 2023; Lambert & Walker, 2022, 2024) and trust in translation project management (Olohan & Davitti, 2015), among many other areas of scholarly interest that can be found in recent publications on the translation industry (Angelone, Massey & Ehrensberger-Dow, 2019; Walker & Lambert, 2025).ThemesThe journal invites manuscripts that engage with one or more of the following key themes, while also welcoming fresh perspectives that expand the conversation:Wellbeing, resilience, and soft skills in translation and interpreting practice;Employability and career pathways for graduates entering the language professions;Situated learning and work placements as bridges between academia and industry;Embedding professional practice in teaching through practitioner involvement and industry-informed curricula;Networks, support systems, and alumni engagement for sustainable career development;Diversity, equity, and inclusion: embracing difference in collaborative contexts;Educating clients, companies, and end users about translation and interpreting, including AI/MT-mediated content;Ethical collaborations and responsible partnerships between academia and industry;Innovation, co-creation, and participatory research methods;Enjoyment and rewards of the language professions (slow translation);Ways in which academia-industry synergies generate new knowledge, foster innovation, and support inclusive, context-sensitive scholarship.Practical informationSelected papers will be submitted to a double-blind peer review.Submission of paper proposals (including a title and an abstract of approximately 300 words, excluding references) should be sent to all three guest editors:Xiaochun Zhang (xiaochun.zhang@ucl.ac.uk)Alejandro Bolanos-Garcia-Escribano (a.bolanos@ucl.ac.uk)Olivia Cockburn (o.cockburn@ucl.ac.uk) DeadlinesAbstract deadline: 1 May 2026Acceptance of abstract proposals: 1 July 2026Submission of papers: 1 December 2026Acceptance of papers: March 2027Submission of final versions of papers: 1 June 2027Editorial work (proofreading, APA, layout): September – October 2027Publication: December 2027
CALL FOR PROPOSALS FOR A SPECIAL ISSUE Submitting Proposals are open for a special guest-edited issue of Translation Studies 21(2) to be published in May 2028 Translation Studies aims to extend the discipline’s methodologies, areas of interest and conceptual frameworks while testing the traditional boundaries of the notion of “translation” and offering a forum for debate focusing on historical, social, institutional and cultural facets of translation.The editors are inviting proposals for a special issue that engages with cutting-edge debates, critical questions, and innovative directions in translation studies with relevance for a global scholarly audience. Please note that in line with the aims and scope of the journal, we will not consider submissions dealing with translator and interpreter training.Guest editor(s) will be responsible for curating the content of the issue, overseeing the review process in consultation with the journal editors, and copy editing the accepted submissions. The Editorial Team will provide guidance and support to ensure the highest level of quality for the guest-edited special issue.Submission You can submit your proposal to the Editorial Team (translationstudiesjournal@gmail.com), with “Translation Studies 21 Special Issue” in the subject line, by 31 March 2026, for consideration in Volume 21 (2028). Decisions will be communicated by 30 April 2026. Each proposal should include:- A title- A call for papers outlining the thematic focus, rationale, and significance (up to 750 words)- A list of indicative topics- The names and contact details of the guest editors, along with brief bio notes highlighting their editorial experience (up to 150 words)
The inaugural issue, on the theme of Community, will be published in the autumn of 2026.Only ONE submission per Call can be accepted from the same contributor, and all submissions must follow the Style Guidelines. Submissions are invited in the following categories: Translations, Research Articles and Reviewes.Key datesDeadline for submitting your contribution: Friday 10 April 2026Authors notified of publication decision: by Friday 12 June 2026Authors to submit revised contributions: Friday 21 August 2026Publication: Autumn 2026
Guest editors: Xany Jansen Van Vuuren, Helen-Mary Cawood, & James Kelly. Deadline for submissions: 31 August 2026 More details here.
