The MUTE project aims to contribute to the translation of 20th century English novelists into Spanish in order to shape a real history of the translation movement of English women literature in Spain, too often missing in attempts to a history of translation in Spain.
Analysing this translational movement is to trace the censorship of these writers in order to investigate aspects such as: the causes for the censorship of texts, the relationship between censorship and gender, or the close link between censorship and literary genre. The need to scrutinize such censorship regardless of the time that has elapsed since the publication of the original text is clear. In many more cases than we would like, the version that a given culture has of a particular text is non-authentic, incomplete thus inadequate and this can interfere in the image we have of a text and of its author.
It is not only a literary and academic necessity, but also a moral one to revise these key texts by major writers as well as to encourage the recovery of these texts, to translate, retranslate, publish and reissue them. Our work will also involve analysing the role of the different agents involved in the censorship process: authors, translators, censors and editors, who often act as mediators.
This congress aims to serve as a platform from which to visualize, reflect on and report censorial (or self-censorial) behaviours that, regardless of whether they arise within a democratic state or not, continue to happen in the 21st century in the field of translation. It also aims to be an international forum in which to share information and present the latest research addressing translation and censorship. In line with the fundamental axis of MUTE Project, the study of censorship behaviours that can be explained on account of gender will be a priority.
Contributions will take the form of presentations (20-minute presentation + 10 minute discussion).
Call for papers:Event: Who Appears After Translation? Authors, Artists, and Transcultural Personas — ACLA 2027American Comparative Literature Association Annual Meeting 2027University of Houston, May 20–23, 2027Organizers: Maya Boutaghou and Song Huang, University of VirginiaPossible topics include, but are not limited to:literary translationself-translationmultilingual writingtranslated authors and authorial personastranslators as mediators of cultural identityperformance circulationadaptationvisual translationartistic and celebrity personasdigital mediadiasporic and postcolonial translationmultilingual subjectivityuntranslatabilitytranscultural mediationtranslation and cultural memorytranslation across literary, visual, and embodied mediaSubmissionPaper proposals must be submitted through the ACLA 2027 online portal.Deadline: September 22, 2026More info: https://www.acla.org/seminar/7a421fda-c5ce-4e42-b382-0d05b579746b
Call for Papers:Event: History and Translation Network Conference 2027 Time : September 20-23, 2027Place: Ghent University, BelgiumPossible topics include:translator branding and authorial visibilitygendered and postcolonial invisibilityarchival recovery of neglected translators and mediatorstranslation and mechanisms of canonisationthe historical circulation of texts in manuscript, print, and digital culturesthe materiality of texts, media ecosystems, and publishing networkscensorship, patronage, cultural diplomacy, and cultural policytranslation as labour, profession, and economic practicereaders, reception, and communities of interpretationtranslation and media(tion)the shifting boundaries between human and non-human mediationsocial, intellectual, institutional, and communication networksdigital humanities approaches, network analysis, corpus studies, and archival methodologiesPaper submission deadline: 1 February 2027More info: https://htn2027.ugent.be/en
Call for Papers:International Conference: Translating Sacred Texts: Dimensions, Challenges, and Contemporary Perspectives Date: December 03, 2026Format: In-PersonVenue: Faculty of Arabic Language, Cadi Ayyad University, Marrakech, MoroccoSubmission Guidelines• Abstract: 250–300 words, accompanied by a short biographical note. • Keywords: 4–6 keywords. • Conference Language: English. • Submission Email: sacredtexttranslation@gmail.com• Submission Deadline: September 1, 2026. Read more: https://sites.google.com/uca.ac.ma/sacredtextconference/accueil
Call for Papers Journal: Translation Spaces 18 (1) 2029Theme: Translating the city, curating the museum: city museums as translation zonesGuest editors: Anneleen Spiessens (Ghent University) and Luc van Doorslaer (University of Tartu/KU Leuven)Topics of interest include, but are not limited to:· conceptual convergences between city translation and museum translation· methodological approaches for studying translation in urban or museum contexts· the position of city museums within the broader translational framework of multilayered urban memoryscapes· the role of translation in unlocking multilingual collections· the symbolic and political dimension of language policies in city museums· the role of translation in diversifying museum audiences and fostering sustainable communities· the interplay of interlingual, intralingual, intersemiotic and intrasemiotic translation in exhibition contextsSubmissionAbstracts of up to 300 words should be submitted by 15 September to the guest editors by email (anneleen.spiessens@ugent.be and luc.vandoorslaer@ut.ee).Key dates:15 September 2026: abstract (300 words) and bionote (100 words) submissionIn the course of 2028: online first publication of individual articlesSpring 2029: print publicationMore information: https://benjamins.com/series/ts/call-for-papers-ts.2029.pdf
Call for AbstractConference: the 19th International Postgraduate Conference in Translation and Interpreting (IPCITI)Venue: Dublin City UniversityDate: 3-4 December 2026Theme: Across Academia and Industry: (In)Visibility and Interdisciplinarity in Translation and InterpretingTopics include:Interdisciplinary engagement with translation and interpreting studies (e.g. Comparative Literature, Linguistics, Cultural Studies, Sociology and Anthropology)Interdisciplinarity and knowledge exchange in translation and interpreting studies (e.g. Communication Studies, Information Science, Higher Education Studies)Visibility and invisibility of translation and interpreting research (e.g. Sociology of Knowledge, Media Studies)Translation and interpreting across academia, institutions and industry (e.g. International Relations, Public Policy)Translation and interpreting technologies and digital practices (Computer Science, Human-Computer Interaction (HCI), Natural Language Processing (NLP))Translator and interpreter training and pedagogy (e.g. Curriculum Design, Cognitive Psychology, Applied Linguistics)Community and public service interpreting (e.g. Medical Humanities, Social Work)Specialised translation (e.g. terminology, literary translation, audiovisual translation, localisation)Professional identities, ethics, and labour conditions (e.g. Professional Ethics, Labour Economics, Human Resource Management)Translation, migration, multilingualism, human rights, and social justice (e.g. Human Rights Law, Migration Studies, Political Philosophy)Critical approaches to translation studies (e.g. Decolonisation of Translation and Interpreting Studies, Postcolonial Theory, Gender Studies, Critical Discourse Analysis, Deconstruction)Innovative, creative and interdisciplinary research methodologies in translation and interpreting studies (e.g. Digital Humanities, Corpus Linguistics, Ethnography, Mixed Methods Research)Translation and interpreting in crisis and conflict settings (e.g. Peace and Conflict Studies, Disaster Management, Risk and Crisis Communication)Deadline for abstract submission: 31 August 2026More details: https://www.dcu.ie/ctts/ipciti-2026
